Imagine a chair that looks from the notebook of an artist – chaotic, spontaneous and absolutely impossible. Now imagine the same sketch that implements into reality and stands in front of you as a fully functional piece of furniture. This is exactly what the South Korean designer Jinil Park has achieved with its groundbreaking series series.
Designer: Jinil Park
What distinguishes the drawing series is its visual deception, each piece looks as if it had been hastily drawn on paper, but it exists as a tangible, three -dimensional object. Park's design philosophy revolves around the distortion of lines, of which he believes that it conveys the emotions of the designer, the state of mind and the artistic expression.
Park explored new design options by freely drawing lines and discovering fascinating and entertaining aspects in the blows on paper. The results of these strokes led to the development of visually convincing objects. His pieces of furniture are not only functional, but also as a statement pieces that can become the center of every room. Alternatively, your bizarre, sketch -like nature enables you to fit seamlessly into rooms that are designed for children and promote creativity and playfulness in your area.
To bring his sketches to life, they park carefully selected drawings that could be transformed into stable pieces of furniture. He then used steel wires of different thicknesses and hammered them to create the illusion of abbey lines. Through the overlap and welding of these wires, he achieved structural integrity while maintaining the sketch -like aesthetics.
The use of different wire thicknesses was crucial to imitate the irregularity and spontaneity of hand -drawn lines. This labor -intensive process ensured that the final pieces preserved the essence of the original sketches and were at the same time functional.
Although each piece appears fragile and short -lived, the strategic welding of the cables enables you to support the human weight. Despite their apparently sensitive form, the chairs, table and lamps have an unexpected robustness. This interaction between the fragility and strength shows Parks deep understanding of art and engineering.
The sign series was exhibited at many design festivals, in which the audience fascinated with their unique fusion of art and functionality. The collection questions the traditional perception of furniture by blurring the border between two -dimensional sketches and three -dimensional reality.
One of the most exciting aspects of the drawing series is the adaptability in terms of color. While the original designs concentrate on the aesthetics of the raw steel wire, these parts can be easily produced in different color options so that they fit into different inner styles. Whether in bold colors for a striking statement or soft pastel for a subtle artistic note, the adaptation options make this collection even more versatile.
