How the designers turned this old hunting lodge into an inviting home

How the designers turned this old hunting lodge into an inviting home

“There are two ways to decorate a country house,” says Bunny Turner, co -founder of the interior design studio Turner Pocock. 'One is that they back patterns and coloring and let the outside in, although this can feel quite bleak in the middle of winter. The other is to approach it in the spirit we did here and to have it all the time. And that's pretty wonderful, isn't it? '

This house design has inherently uplifting, a historic former hunting lodge in Berkshire, which goes back to the Georgian period. On every corner, colors and patterns joy: a lively coral stick deaf dances with spring flowers; A lobby is decorated with delicate clover leaves; A yellow sofa shines like a sunbeam in the living room. “We have selected patterns and materials that really sing in a land environment,” notes Bunny.

Light blue cuisine with stone floors and dark worktops with a window above the sink with a patterned blind

A beautifully recovered stone floor conveys a feeling of history that fits the age of the property. Wall light from Visual Comfort & Co. Blind in the Schumacher citrus garden. Cabinets by DS Harris, painted in Treron by Farrow & Ball. Age (medium -sized wall tiles with medium bricks through Marlborough tiles.

(Credit: Alexander James)

In fact, customers are Bunny's sister and brother -in -law who moved from London with their four children in 2019. “In the first year they did not do anything in the house so that they could be included in the problems and consider how to get the rooms in the sun and where they hang as a family, for example,” says Bunny, who points out that the layout is already ideal. “Like many Georgian houses, the proportions were perfect for life in the family. It just needed love, life and spirit, inhaled it. '

Cabinets, dolphin tiles and shelves with glasses and apples

Bunny improved the sink area with tiles in size and dolphin style, which was made by the owner's artist, Mary Shackleton. Try Taal from Namay Samay for a similar fabric. Light by Visual Comfort & Co.

(Credit: Alexander James)

Bunny and co -founder of Turner Pocock, Emma Pocock, are “quite militant” when it comes to extracting a short time, and working with the family has had no exception. “We asked her to harvest visual information in order to distill the aesthetics that they wanted to achieve. This process is always quite revealing,” she says. “What came again and again in the pictures was this joyful use of color and pattern. It was brave and we found it very exciting. '

Traditional living room with large windows, a yellow couch and striped sofas that are around a padded coffee table

Ottoman and chairs by David Seyfried. Ottoman padded in an ancient Suzani with sides in the Cheswell from GP & J Baker. Chairs in Pfot pressure from Soane Great Britain. Standard -arm sofa from George Smith in Penny Morrison's ticking stripes. Sofa in Shanghai in Citron by Pierre Frey.

(Credit: Alexander James)

The impressive extent of the rooms turned out to be an ally when it came to being bold with color. “We could be blockers with color,” says Bunny and points to the family room, in which walls in a rich leaf green -offset -furniture in red, pink, blues and softer green.

Some pieces were converted from the family of the family in London, but as Bunny puts it: “This house eats furniture, so that they were not really scratched on the surface.” The couple are enthusiastic art collectors, and the designers have helped them create a gallery wall in this room. “Smaller pieces risked to lose themselves individually, so we summarized them to achieve effects.”

Green living room with gallery with a wall striped red and white sofa and a blue side table with a large lamp

A lively green shade exposes both the striking art gallery and the sculptural lamp. Walls in Caleme Green, Farrow & Ball. Concrete lamp by Kelly Wearstler for Visual Comfort & Co. Table by Chelsea Textiles. Radnage Ottoman from Turner Pocock for Lorfords Contemporary. Armchair in Savernake 005 by Fermoie. Sofa in Tyrell in red by Colefax and Fowler.

(Credit: Alexander James)

Decorating with antiques offers a significant counterpoint to the living colors. “Without some brown furniture, many of these rooms would not have felt enough or layered,” says Bunny, who led her sister with concept visuals so that she could get pieces over time.

A similar approach was followed with carpets, including worn kilims that were bought at an auction, or pieces that were recorded on a trip to Morocco. “I was pretty nervous about the idea that my sister was released in a souk to complete the rooms, but I don't have to be,” says Bunny. A certain flatwave that the couple chose with their children has the feeling that it was made for the living room.

Children's bath with yellow wood and colorful wallpaper

Voyysey Wallpaper, Trustworth Studios. Woodwork in Benjamin Moore's mustard field. Beliani laundry basket.

(Credit: Alexander James)

On the upper floor, the unshakable confident approach to color continues: “If you do not keep it consistent, the rooms can feel separate as if they were set up at different times,” says Bunny. In a children's bath, acid -yellow color takes out the tones in a wallpaper that buzzes with grasshoppers and birds, while earthy greens are wonderfully tempered in the main suite of earthy greens.

Tent toom with striped blue, red and white ceiling and walls and build seating around the edge

The moment the designers saw this room, they knew that it took a bold strip. Tent stripes and rays in incarnadine, both by Farrow & Ball. French mattresses in Hamilton Fishing Bounts from Thibaut.

(Credit: Alexander James)

The most exuberant space of all is the play room on the first floor, in which walls and a perfectly set up blanket are wrapped in strong blue and white stripes and woodwork can be selected in purple red. “We love a tent ceiling – always have it,” says Bunny. Under the built-in banquet facilities, tailor-made hubs are transformed into the ultimate overnight room.

Cream Bedroom with cream headboard, black wall lamp, gray side table and white bed linen

Pink and green are a fresh combination. Walls in Jonquil by Edward Bulmer Natural Paint. Pillows in Flamestite in Forest Green by Teixits Riera, available from the Mews Fabrics & Furishings. Headboard of ensemblier London.

(Credit: Alexander James)


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