The resurrection of Ochsenblut can actually be the result of a broader cultural change. During the Pandemie years and the following, which outwitted in the off-white, cream and brown interior due to their calming influence. Now that the era is over, the pendulum starts a slow swing back to maximalism.
“In recent years, the interior design of warm, desaturated tones was dominated with tactile, natural materials such as plaster, porous stones and light forests. These pallets have caused a feeling of calm and grounding and have resonated with a collective desire for reserved elegance. Now, however, we are entering a transition phase, ”Guillermo Castello, co-founder of Elmo Studios, who recently painted a park in Oxblood, told fashion. “The return of cooler, smoother materials think of high-gloss surfaces, darker forests, polished and brushed stainless steel signalizes a shift towards the braver, richly rich aesthetics. With its deep, atmospheric tonality, Oxblood is the perfect bridge between these two designer stories, ”agrees Olivier Gautschox, founder of the French design gallery Eteline. “Oxbloods revitalized wealth and intensity after years of neutral,” he says. Gautschox sold a number of remarkable pieces in color.
While oxblood is richIt is not shattering. Red is a difficult color for interior design, since the intensity of the color pulls our eyes and makes our mind more vigilant. (There is a reason why emergency signs – think to leave and stop the signs – colored red.) Oxblood with its brownish undertones enables you to feel more interesting than alarming – more falling autumn sheets or glass Bordeaux As a stop sign. “I think the attraction we have on this color has to do with the fact that it is both earthy and lush – it is extremely warm in the sound, but somehow not overwhelming,” says Rauchwerger.
